Film Work
Feltman’s Hot Dogs Documentary
Camera operator on Jay Cusato's documentary of Feltman's Hot Dogs
New York City Marathon Fundraising Video
Cinematographer & camera operator for Tom Schrank's TCS New York City Marathon fundraising video (he reached his goal!) for The Trevor Project.
Cultural Compulsive Disorder
Video Podcasts
2016 - Present (Hiatus)
Multi-camera operator & podcast video editing for Cultural Compulsive Disorder (CCD)
brooklynONE Productions 10 Year Anniversary
Interviews
Camera operator and video editor for interviews screened at brooklynONE Productions' Ten Year Anniversary event. Collaboration with Cultural Compulsive Disorder.
Pollyana’s Day Off
Cinematographer and camera operator on the short film “Pollyana’s Day Off”
Other Projects
Production Assistant
Music Video directed by Jerry Farley
Christina Rubino - “Down To The Sea”
December 2016 - January 2017
Production Assistant
Music Video directed by Jerry Farley
Dyker Lights
December 2016
Cinematography, Editor
Short film directed by Anthony Marino
Captain Procrastination
November 2016
Assistant Camera and Gaffer.
Short film directed by Francisco Frias.
Tell Me Where
November 2016
Assistant Camera and Gaffer.
Short film directed by Kara Criscione.
Life In Color
May 2016
Director and Editor.
Short film for Directing Workshop.
The Denim Jacket
April 2016
First Assistant Camera.
Thesis film directed by Xavier Ilyas.
Disconnected
April 2016
Boom Operator/Sound Mixer
Short film directed by Makeba Ross.
Elephant In The Room
March 2016
Assistant Director and Script Supervisor.
Short film directed by Bryan Garvey.
Gardener’s Interview
February 2016
Director and Editor.
Short film for Directing Workshop.
New Girl On The Block
April 2015
Writer, Director, Editor.
Silent short film shot in 16mm on a Bolex camera for Intro to Production.
Scott Pilgrim Scene Recreation
November 2014
A project for Cinematography Workshop. This was one of the most stressful and most rewarding projects I've worked on. For this project, I was required to first and foremost be the cinematographer and recreate the lighting set-ups in the original scene. The project was done on 16mm film using an Arriflex 16, which made it more challenging than if the project would have been done in a digital format. On top of those duties, this project also required me to be in charge of costumes, props, set design, and post-production. This was the project that affirmed that I can and want to work in film production.